Photograph by Drawsome.
We can't have museums selling off our cultural heritage to make ends meet – charging entry is a far better solution.
Britain's museums are in crisis. On the surface, things looks good. Our galleries have benefited from years of expansion. But all over Britain, a darker reality is emerging in the wake of spending cuts. A survey has shown that since the spending review 58% of museums have suffered cuts, and a fifth have been hit by devastating cuts of 25%.
The worst option is for museums and public collections to start selling works to pay the bills. The recent sale of a Millais by one cash-strapped council is a terrible mistake, a betrayal of our cultural heritage.
The best option, I am starting to think, may be to introduce admission fees. I spat out this notion earlier this week in the wake of the attack on two paintings recently in the National Gallery.
The debate was taken up by the Telegraph. Obviously, attacks on art happen at museums that charge an entry fee as well as at free ones. But this is about much more than security.
I remember the drab, uncared-for feeling of some of Britain's biggest museums in the 1980s and 90s. They seemed to be eking out their time, with no big plans and no sense of splendour.
Free museums with a supportive government are very different from free museums in a climate of austerity. Going to the Louvre or to American museums 20 years ago was like entering a different universe of cultural pride and enjoyment – these museums really wanted to thrill, and they did justice to their collections.
So do ours – right now. Britons have realised how precious our great collections are. The world shares the passion, and if you visit the British Museum this summer the sheer crowd numbers startle. How about turning that popularity into money? We can't let recent progress in our galleries and museums be destroyed by a cost-cutting mentality that first freezes, then rolls back, everything that has been achieved.
Charging for entry cannot be a taboo. I probably make more use of free entry than most people; there are obviously ways to make entrance fees egalitarian. Free entry for everyone under 20 and all students, membership schemes for the rest of us, something like the new National Art Pass for those who want to purchase annual overall access.
http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2011/jul/21/museums-charging-admission-entry-fees
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